Monday, August 20, 2007

FREESTYLE SESSION 10th Anniversary




Thursday, August 16, 2007

Hip Hop Diaspora?

This is something I've been thinking about for awhile, and I'm sure I'm not the first to frame it this way. But I never hear it explicitly laid out the same way, although maybe I just don't read a big enough variety of material...

Wikipedia defines diaspora in its opening sentence as
The term: diaspora (in Ancient Greek, διασπορά – "a scattering or sowing of seeds") is used (without capitalization) to refer to any people or ethnic population who are forced or induced to leave their traditional homelands, the dispersal of such people, and the ensuing developments in their culture.

So usually we think of this dispersal in terms of say... Chinese Diaspora which I am a part of, and Hmong B-Boys can be considered a part of the Hmong Diaspora right?

When we think of Diaspora, we can also think of the changes in these peoples culturally too, like Chinese Americans and now the newer generations of Hmong Americans have changed in many ways culturally due to their placement/displacement in their homes outside the traditional homelands.
So what I'm getting to, for myself, being that I don't speak the Toy San (Taishan in Mandarin...) dialect my parents and grandparents speak, supposedly it doesn't make me any less Chinese.. well, it makes me Chinese American. But as a member of the Chinese Diaspora, I may be different, English speaking, different cultured, Hip Hop loving, but I'm still Chinese right? Cause diaspora not only changes the dynamics of where they land up, but they are changed by where they land up too.

So does this idea of Diaspora apply to culture and cultural forces that spread. Can we describe something like Hip Hop, with a definite homeland (Bronx, New York) and a spreading population around the world, in terms of diaspora? So thinking of Hip Hop in terms of Diaspora, Hip Hop launches and changes the dynamics of the people who embrace it outside the homeland, but also Hip Hop in its diasporic form takes on different shapes, forms and meaning in its new home, just as people do. Does that make Hip Hop any less Hip Hop? In this sense, no, right? It still is! I'm still Chinese aren't I?

Maybe Hip Hop in its new homes may down the line wish to reconnect with the Bronx (which often is the case) just like many of my peers feel the desire to take language courses, study abroad, or just vacation in Asia.

Now from some definitions there are conditions and events which lead to people leaving their "homelands" and creating/adding to diaspora, but are there events or conditions that provide for the spread of Hip Hop, or make it more ... um... for there its gravitation to certain peoples around the world?

I guess it's just another way I'm trying to frame B-Boying in the Hmong community...

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Monday, August 13, 2007

B-Boy Parallels...


Parallel B-Boys, but not like this!

As I've been working on this "Paper Edit" for the film (more on Paper edits, see last posting) I've been trying to draw on Parallels with the multiple storylines. One of the main themes I've been able to compare and contrast everyone with are ideas of "success" as a B-Boy. I think one of the great things this film focuses on is the growing success of the Hmong B-Boy scene.

Another way is I think I've been able to show Parallels between the generations of Hmong B-Boys. But I've will then be showing where they diverge and progress, each generation...

***This section revised 8/15 @ 12:08 AM***
Which, to take a quick excursion reminds me of my history of Marxism class I took at UCLA with professor Brenner (I think that was his name). something about the argument about how Feudalism's dissolution came about, how much of a role capitalism had in creating "democracy". Those who taught capitalism say that Feudalism was locked in a cycle of and the cyclical appearance the was interupted by Capitalism, of which would make it this ahistorical occurance that was disrupted by a foreign entity from the east... but there was actually a real historical progression, due not because of capitalism and trade from Merchants, but I think because of the destabilization of the feudal lords by the Peasant uprisings? something like that...

but this has a point!

There is a seemingly cyclical pattern of many Hmong youth who are often locked in impoverished conditions, and those who are seem trapped in this existence. Those who break the mold might be seen as having outstanding individual character and testicular fortitude (exceptional strenght and ability). But the progression and success of many of these B-Boys I see not as the result of individual meritocracy alone, but the result of a community's support and collective lessons, each one benefitting the next generation. Family members and community members use the lessons of their lives to provide mentorship and direction to those they care about.

thank you, thank you. you can award me my Ethnic Studies PhD in the mail. If only I had applied!!!

and one last thing... I found this writing tool online, it's helped me organize infinitely: Scrivener for those in need.


B-Boys Unite!!!

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